P O D I V LJ A L O
Podivljalo, ili opera diranja, je spekulativna forma – utočište za superheroine dodira i njihove moći senzoričko-senzualnog science fictiona.
Nova zajednička koreografija Ane Kreitmeyer i Sonje Pregrad.
Glicerin, ksilitol, butan, propan, aluminij, pantenol, izopropilni alkohol, magnezijev i ne samo njegov klorid, soda bikarbona, ulje timijana i čajevca, limonen, linalol, klorofilin, ksantan guma. Krema sa zaštitnim faktorom. Ultraljubičaste zrake. Kvaka javnog wc-a, ispušni plinovi. Freoni iz klima uređaja. Kisele kiše. Pijesak u pustinji, šljunak na plaži, pločice kupaone, parket, plesni pod, zemlja. Grafit iz olovke, tinta, papiri, korice knjiga, plastika prekidača za svjetlo, metal, injekcija, psihoaktivne tvari, pleksiglas, čaj, keramika, staklo, željezo, teflon, inoks, vatrostalna posuda, ciste u jajnicima, nehrđajući čelik, aluminij, celofan, žohar, pas, kornjača, konj. 2368 vrsta bakterija u pupku, bakteriofagi. Kućne biljke i njihovi nametnici. Prašina sastavljena od mrtvih stanica kože, živog i mrtvog grinja i njihovog izmeta, peludi, nusprodukta dima i ispušnih plinova, vlakna odjeće, pesticida.
Jednim dijelom to je pejzaž u kojem svjetlo, prostor, zvukovi, tekstovi, tijela i objekti sačinjavaju različita tkiva jednog tijela osjeta, a drugim je i reakcija na to kako svijet u 2019. dodiruje naša (plešuća) tijela.
Koncept i koreografija: Ana Kreitmeyer i Sonja Pregrad
Izvedba: Ana Kreitmeyer, Ana Mrak, Sonja Pregrad
Oblikovanje prostora/video/grafički dizajn: Marko Gutić Mižimakov
Dramaturgija: Nina Gojić
Glazba: Ana Horvat
Kostimi: Marcio Kerber Canabarro
Oblikovanje svjetla: Igor Pauška
Rad s glasom: Lana Hosni
Podrška: Matija Ferlin
Produkcija: Četveroruka
U sklopu Antisezone 19 – ples u Gorgoni, koja je dio Performance Situation Room / NDA Life Long Burning EU projekta
Projekt je realiziran uz financijsku podršku Ministarstva kulture RH i Grada Zagreba
Hvala: PC TALA, Centar za kulturu Novi Zagreb, Pogon Jedinstvo, Uferstudios, Branko Kostelnik, Miranda Herceg, Larisa Lipovac, Andrea Hršak, Željko Bašković, Goran Ferčec, Michiel Kuipers, Anna Nowicka
“If embodiment is a precarious interplay, embodiment can also be conceived of as that which allows encounters to take place within a socio- historical (political) context, for a double-touching, an embodiment of touch, is a touching that can never take place unilaterally. Touch belongs first to an other: it comes to me from an other, already addressing itself to an other. Touch instantiates an interruption, it forces me to turn toward you, not necessarily face to face, but always skin to skin, hand to flesh, flesh to flesh. You are untouchable (inasmuch as there is a single “you”). What I touch is that untouchability. I negotiate that untouchability, that surface that cannot be penetrated, the unknown and (in)finite distance which separates me and you.” Erin Manning: The Politics of Touch
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F E R A L
The glycerin, xylitol, butane, propane, aluminum, panthenol, isopropyl alcohol, magnesium and chlorides otherwise. Soda bicarbonate, thyme and tea tree oil, limonene, linalol, chlorophyllin, xanthan gum. Sunscreen. The Ultraviolet rays. A public toilet door handle, gas emission. The halocarbons from the air conditioner. The acid rain. The sand in the desert, the gravel on the beach, bathroom tiles, wooden floor, dance floor, the earth. The graphite in the pencil, ink, papers, book covers, light switches plastic, metal, a syringe, psychoactive substances, the plexiglass, tea, ceramics, glass, iron, Teflon, stainless steel, refractory vessel, ovarian cysts, stainless steel, aluminum, cellophane, a cockroach, a dog, a turtle, a horse. The 2368 types of bacteria in the navel, bacteriophages. The house plants and their parasites. Dust composed of dead skin cells, alive and dead dust mites and their excrement, pollen, byproducts of smoke and gas emission, clothing fibers, pesticides.
Feral, or the Opera Of Touching, is a speculative format – a sanctuary for the superheroines of touch and their sensory-sensual sci-fi powers.
It is partly a landscape in which light, space, sound, text, bodies and objects make up different tissues of one body of sensation, and partly a reaction to how the world in 2019 touches our (dancing) bodies.
Idea and choreography: Ana Kreitmeyer i Sonja Pregrad
Performance: Ana Kreitmeyer, Ana Mrak, Sonja Pregrad
Set design/video/graphic design: Marko Gutić Mižimakov
Dramaturge: Nina Gojić
Music: Ana Horvat
Costumes: Marcio Kerber Canabarro
Light design: Igor Pauška
Voice work support: Lana Hosni
Support: Matija Ferlin
Production: Četveroruka
In the frame of Antisezona 19 – dance in Gorgona, a part of Performance Situation Room / NDA Life Long Burning EU project.
Project has been realized with financial support of Croatian Ministry of Culture and the City of Zagreb.